Sunday, 1 February 2009

PReview of the Century #3

Preview: Truckfest, Oxfordshire.
This Is Fake DIY, 2007.



The weather has been awful this summer, hasn’t it? Well it’s not all bad news. Thanks to the rain and floods and whatnot, Oxfordshire’s Truck festival has been postponed to this weekend, 22nd-23rd September. Hopefully the weather will be a bit better this time around, and the festival season will close in style.

For those who don’t know, Truck is one big village fete of a festival. With some 3-4000 people expected over the weekend, there’s a good chance of losing your mates, and then finding them, buying some local fayre from the Rotary Club and/or the village vicar, and then losing your friends again. And there’s very little chance of falling into a poo-infested quagmire, which is a good thing.

July’s bad weather hasn’t harmed the line-up too much at all, with a reported 90% of the original artists set to play. There’s even some interesting additions too! Here is DIY’s top ten of what to catch (one for each of Truck’s whopping ten years), if you’re one of the lucky few popping off to Steventon this weekend.

Foals (Saturday, Trailer Park Stage)

More local boys done good, Foals have been the ones to watch this summer. Here they wrap it all up with their ultra-futuristic, ultra-pacey take on indie dance, before (presumably) going home for some tea, scones and then off to take over the world.

Youthmovies (Saturday, Trailer Park Stage)

They used to have a longer name, but they’re still great. Oxford’s own brand of post-anarchic desolate soundscapery come home to play some windingly brilliant compositions and partake of local real ale.

Forward, Russia! (Saturday, Barn Stage)

Imported from the People’s Republic of Leeds, DIY super-heroes Forward, Russia! take their rawcous racket, angular-jangular guitars and put them all in a blender. Then they take the contents out and make you drink it. Only joking. Watch out for myriad replica t-shirts.

Emma Pollock (Saturday, Barn Stage)

Former Delgados front-lady rifles her way through solo material, undoubtedly helped by the fact that she can sing, is quite pretty, and that her floaty solo material is very good indeed. Helps the sadly gaping abyss left by Euros Childs not being able to make the new date.

Blood Red Shoes (Main Stage, Saturday)

There’s a boy and a girl. One plays the guitar, one plays the drums in the key of rock major. They’re a bit like The White Stripes in that way. But in other ways they’re not. Firstly, Blood Red Shoes are playing Truck and The White Stripes are not. Also, they’re very English, and they do like to be beside the seaside, hailing from Brighton and all.

Fonda 500 (Main Stage, Sunday)

Off-kilter rock heroics from Hull’s finest. Deserve medals for services to Humberside’s music scene, and top noises to boot.

Thomas Truax (Market Stage, Sunday)

Colarado-then-NYC-then-London’s one-man contraption engine, Thomas Truax makes things that go whizz and bang that inevitably make you go whizz and bang. Seeing is believing – he has a vaguely-defined relationship with a once-defunct horn-cum-harp and has a car wheel for a drummer. A bit special.

Outl4w (Barn Stage, Sunday)

They make an awesomely good ear-friendly punk racket, and they may be sick of hearing it, but Outl4w are really, really fresh (young). Still trying to live up to a career-defining appearance on Blue Peter a few years ago, in the halycon days of their youths, etc etc. Watch your Clearasil.

Pull Tiger Tail (Barn Stage, Sunday)

They invented Nu-Rave apparently. Who cares? Pull Tiger Tail play plinky-plonky new-school type music in a very conventional way – one song after the other, a succession of notes played in the correct order. They are very lively and inventive on stage, too, so while you’re having a lazy Sunday afternoon, you can let some other people do all the hard work.

Idlewild (Main Stage, Sunday)

A keystone appearance for many, Scottish indie-stalwarts Idlewild have been there and done that. And they’re going to be at Truck, doing it. Watch out for seminal indie cuts, folded arms, crusty t-shirts and delicate whisperings of ‘do you remember the Lamacq Live, when…’. Classic.

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